Archive for January, 2009

Library of Congress Archive on Flickr

grocery
Grand Grocery Co. in Lincoln, Neb. by John Vachon, 1942

Remember the days when apples were 25 cents for 4 lbs.? Neither do I.

In January of 2008 The Library of Congress debuted a portion of its photo archive on Flickr. The response to the few thousand images has been overwhelming, with about 500,000 page views a month and thousands of comments and tags added by users. It was intended as an experiment to get more information about the images, as well as build awareness about them. It’s achieved both.

Interestingly, there are no copyright restrictions on any of the photos, so people are welcome to use or distribute them as they wish (according to the FAQ). The LOC does have plans to add more collections to Flickr and recommend you leave them a comment if you have a suggestion.

US Bank Tower: The Aftermath

security
Photo by NoHoDamon

Our story is gaining steam, picked up by LAist, LA Observed, BlogDowntown, LA MetBlogs and Franklin Avenue, among others.

There has been a hearty back and forth about this issue, and that’s good. It’s getting attention for photographers’ rights, and bottom line, that’s what we’re after.

The reaction has been overwhelmingly positive, with photographers and regular folks alike chiming in about their similar experiences and outrage. But, of course, there are always those who will disagree with the mission and the method.

So, to address a few of the common complaints:

1. We didn’t pick the US Bank Tower out of the clear blue. It, along with a few other skyscrapers in downtown LA, have a history of aggressive, unwarranted harassment of photographers.

2. To those who say we didn’t accomplish anything: Universal Protective Services is actually taking this incident seriously, and one of the photographers involved is having a dialogue with executives there about their policy. There’s a good chance they’ll educate their staff better, and that’s a positive result.

002_35Photo by discarted

3. There is no federal, state or city law, code or provision that dictates that one can only photograph here or there or wherever. Some buildings have plaques or markers to signify where their private property begins. Beyond those markers, sidewalks and streets are public property. Photography is perfectly legal on public property. You do not have to ask for permission to practice your craft or your hobby, and you do not need a permit to shoot handheld in public. If your building or refinery or port is visible from a public sidewalk, deal with it. Download Bert Krages’ handy info sheet here.

4. The Patriot Act, enacted by a bully administration after a time of great tragedy (and the perfect example of Naomi Klein’s shock doctrine theory), is used to justify abuses of power and the stripping of many of our basic rights. But neither the Patriot Act or the Homeland Security Act say anything about restricting photography. It is possible terrorists are casing American sights to do harm to them, but one or two – or even six – schlubs with a camera do not really pose a threat to your building. There needs to be some case-by-case logic and thought involved in security guard and police enforcement of these blanket policies.

5. Perhaps some uncivil things were said. In the heat of the moment that happens. Overall this was a relatively pleasant encounter. (There’s been worse and…er, worser.) We realize these guys are just doing their job, but in your own profession, don’t you like to be armed with knowledge about what you’re doing and what your employers are telling you to do? These guards need to be trained better so they can react appropriately in situations like this.

017_201 Photo by discarted

6. Security Guards have no legal authority to enforce any laws whatsoever. They are citizens just like us, that’s it. They can not detain you, arrest you, harass you, threaten you, demand to see your ID, or do anything to you for that matter. They seek out the job, fill out an application and then are hired. Their job is to observe and report.

7. Did we go to the US Bank Tower looking for trouble?

No, we went there to shoot photos of the skyscrapers. Did we go prepared in case we were harassed and threatened by US Bank Tower security guards? Yes.

We knew it was very likely that we would be harassed and threatened, and we were right, because within a minute of arriving, the US Bank Tower guards were in our face. Unfortunately, our videographer showed up a little late and didn’t get the entire confrontation on tape. (Or the previous encounter that took place one a block away at another property managed by Maguire Properties.)

018_193Photo by discarted

8. Why didn’t we call the cops if we knew what we were doing was legal?

Well, we did – twice! Both times we called Officer Johnson at Central Station in downtown Los Angeles, and during both calls we were told that what we were doing was completely legal. We also asked the US Bank Tower guards during both encounters if they would speak with Officer Johnson, however, the security guards REFUSED TO SPEAK WITH A REAL COP – both times!

On top of that, David Sommars can be seen in the above photo, as well as in the video, talking to Officer Johnson. When he tells the US Bank Tower guard this, the guard responds by saying, “I don’t care because you don’t matter to me.”

US Bank Tower Guards Harass Photographers Photo by discarted

9. Why did we continue talking with the US Bank Tower guards and not ask to speak to their supervisors?

We did. When we asked Carlos, the nicer security guard out of the bunch, to speak with his supervisor, guess what? We were told that the most belligerent guard out of all of them was the swing shift supervisor.

So, to recap: The supervisor (above, with open jacket) was the guard that reached for one of our cameras, called us idiots, didn’t cared if he was fired because he had two degrees and refused to speak with law enforcement about the legality of what we were doing.

When we asked to talk to the executives above this guard, we were told they were not in – it was Sunday. (They were probably on their way back to Washington to ask for some more bailout money so they can continue paying these guys.)

024_13 Photo by discarted

10. To reiterate: We were on public property and we weren’t doing anything wrong. Know how we know? Because we weren’t charged or arrested for trespassing, nor were we ever told that we would be arrested for trespassing – just for taking photos … FROM A PUBLIC SIDEWALK!

“Wasting Breath” with US Bank Tower’s Security Team

As we previously posted, a group of NPRO members set out this past Sunday to photograph Los Angeles’s lovely downtown. This area is notorious for its excessively vigilant security personnel, and we wanted to see if we could exercise our constitutional rights and shoot the array of skyscrapers freely and openly. It turns out we couldn’t.

As we began photographing the US Bank Tower at 633 W. 5th Street, managed by Maguire Properties, we were approached almost immediately by a Universal Protective Services (UPS) security guard, and soon there were six (6!). We were told they would call the police and we would be arrested, that no pictures were allowed from their “private sidewalk,” that they actually owned the sidewalk,  and that we were idiots and jerks who should quit asking questions.

The kicker is that, when Angelo of Hollywood politely explained photographers’ rights to one of the UPS guards, he responded that that was just “differing points of view.” Yeah … except that one viewpoint is about the law, and one is not.

Please Voice Your Concerns:

US Bank Tower
633 W 5th St.
Los Angeles, CA 90071
(213) 615-6300

US Bank Tower Guards Harass and Call Photographers Idiots

On January 18, NPRO members went to the US Bank Tower in Downtown Los Angeles to protest against their security staff’s illegal treatment of photographers when photographing the property from a public sidewalk.

Over the next couple of days, more video and photos will be posted, showing what happened, along with contact info for the building’s management staff.

In the the meantime, here is the building’s address and phone number. Please contact them after listening to the audio and reading the transcript to voice your concerns.

US Bank Tower
633 W 5th St.
Los Angeles, CA 90071
(213) 615-6300

Below is a transcript of what happened between NPRO members and the US Bank Tower’s security staff on January 18, 2009.

———————————————————

US BANK SECURITY GUARD: Excuse me sir, you’re not allowed to take any pictures.

NOHO DAMON: We’re both on a public sidewalk here.

US BANK SECURITY GUARD: No actually this sidewalk is private.

NOHO DAMON: No, no, no, no…(inaudible)

US BANK SECURITY GUARD: No.

NOHO DAMON: This is a public sidewalk.

US BANK SECURITY GUARD: Right…no.

NOHO DAMON: You guys own the street?

US BANK SECURITY GUARD: That’s the public, this is private.

NOHO DAMON: You’re telling me you own the street, you’re telling me you own the sidewalk.

US BANK SECURITY GUARD: Yes sir.

NOHO DAMON: You’re telling me that.

US BANK SECURITY GUARD: Yes.

NOHO DAMON: Would you be willing to discuss that with a cop?

US BANK SECURITY GUARD: Yes.

NOHO DAMON: That you own the sidewalk?

US BANK SECURITY GUARD: Yes.

Continue reading ‘US Bank Tower Guards Harass and Call Photographers Idiots’

Be Careful What You Photograph at Santa Monica Pier

arcade-pier2
Photo by Anthony Citrano

Today, LA Weekly’s LA Daily blog has the account of Anthony Citrano, a Venice photographer who learned over the weekend that taking photos of the Pacific Park within the Santa Monica Pier, one of LA’s most popular and recognizable attractions, was not allowed.

The story is ridiculous and typical – employees try to enforce their company’s nebulous “policy” with various rules and excuses, ultimately giving up when they’re challenged and realize they don’t have a leg to stand on.

First, Citrano was told by Pacific Park staff that photos of families are okay, just not “random images.” Then people were okay, but not “things.” Then he was told the park was private property, even though it’s on public land and there are no signs posted to that effect. Then it was that he couldn’t commercially profit from the photos. And finally, an employee told him that that his equipment was so professional looking that it was understandable he was stopped.

All of which, it goes without saying, aren’t valid reasons for prohibiting a photographer. The odd thing is, these park employees never claimed it was a security issue, so that wasn’t even their concern. Their issue, it seems, is with  general photography.

But it’s a huge tourist destination, packed with thousands of people every day, nearly all of them wielding cameras. It seems futile, not to mention outrageous and, lastly, bad business, to start enforcing a no photography policy among certain photographers. Can you imagine the work that will take to identify and reprimand photographers they think are shooting just ”random things”? What does the employee manual look like for that rule?

As Citrano told the LA Daily: “The first guy was used to not being challenged on the issue and was confused by my questions about policy. Look, These guys are two steps from wearing Batman underwear.”

Citrano has approached the City of Santa Monica for more information on this policy.

Article via LA Daily/LA Weekly

To see more of Anthony Citrano’s work, go here or here.

Protesting for Palestine

 

0318a004 Photos by Discarted

Discarted attended the pro-Palestinian protest at the Federal Building in Westwood in Los Angeles this past Saturday. Hundreds came out to show their support for Palestine as the conflict in Gaza rages on, and as expected, passions were on display, tensions were high and the LAPD was in full, excessive riot mode.

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LAPD arrests a protester for unknown reasons (below). Seconds before someone climbed a flagpole to hang the Palestinian flag next to the US one, leading to chaos between police and Palestinian activists.

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As the crowd grew larger (below), people confronted the LAPD, yelling “Let him go…Let him go!”, forcing the police, clad in riot gear, to back away and point their rubber bullet guns at peoples’ chests just three feet from them.

0311a035

Found on Flickr: evg3 photography

evg3_1

This is another installment in our continuing series where we talk to photographers whose work we’ve appreciated on Flickr.

This week we feature evg3 photography.

cinemafia: Your body of work spans many genres, from journalism to fashion to lifestyle. Yet, there seems to be a common theme or connection between all of your photographs that is difficult for me to describe. Could you tell me how you feel about the different kinds of work that you do, and how they might all come together?

evg3 photography: I think I’m looking for stories; there’s always a story behind a good image, you can feel it in a landscape, in a face, in the composition that suggests something you usually never see. Anyway, most of my work focuses on portraits or places that show you somehow the human existence.

cinemafia: You have many examples of street photography, or perhaps street documentary, in your stream that is taken from daily life in Mexico City. Being one of most highly-populated urban areas in the world, I wonder if you’d talk a little about the unique dynamic of approaching and photographing people there. In Los Angeles, there is a culture of suspicion and contempt for many people who photograph strangers in public, and I wonder what are the similarities or differences there in Mexico City.

evg3 photography: Indeed, most people don’t want just to be photographed, it’s kind of invasive. I believe the key is to get closer in order to make a great image, to tell a story; it’s about being human. Most photographers use the camera to take “snapshots” that only show the surface, not the real person. That happens with places too; a serious photographer needs [to be] going deeper, to share yourself, be a friend. I bring always with me an iPod touch with my portfolio to show my portraits - that works great to give an idea that I’m a serious photographer.

evg3_3

cinemafia: I wanted to ask you about something you put in your flickr profile, and it has to do with the idea of the photographer and the camera, a kind of “man vs. machine” concept. This is a an important discussion because it is true that many budding photographers get caught up in buying the best camera and gear and lose sight of what it is they’re trying to do. I wonder if you can talk a little bit more about this - give us some details as to why it’s not the equipment but the eyes and brain behind it.

evg3 photography: Cameras are only tools; when you need special equipment [it] is because you have something in mind. I think most of those “photographers” don’t have a clear idea of what they want. It’s the same with software.

Continue reading ‘Found on Flickr: evg3 photography’

The Nightshift

rukes

Photo by Drew “Rukes” Ressler

LAist has an interview today with nightlife photographer extraordinaire, Drew “Rukes” Ressler. Ressler started out shooting DJs just for free entry into clubs, then he got hired by the Hollywood club Avalon, where he says he made his 40-hour-a-week salary in one night. (Sounds gloriously fantastic in these brutal economic times.) Now he’s one of the premiere shooters of the genre.

Click here to read Ressler’s insights on getting into the nightlife racket, respecting the DJs and, oh yeah, when he says he’s compared to Annie Leibovitz.

Is Photography Sexy?

011Photo by discarted

Along with baristas and personal trainers, photographers are sexy – at least according to this article on MSN Careers detailing “10 Sexy Careers You Never Thought Of”:

Artsy types get a boost in the sexy department for having a strong sense of style and a unique perspective on the world. Even among artists, photographers stand out because they stay behind the camera, finding beauty in unconventional and overlooked places. Their willingness to stay out of the spotlight and focus their attention on someone else is endearing.

The logic on the list is totally ridiculous – mail carriers’ “legs look nice in those signature navy blue shorts”? But…whatever, take it where you can get it.

Article via MSN Careers

Oakland Schools Police Chief Outta There

Oakland School District Police Chief Art Michel, who was involved in a nasty confrontation with an Oakland Tribune photojournalist in November, will resign this week. A school district spokesperson wouldn’t give a reason, and an article on InsideBayArea.com said it’s likely due to a compensation and benefits issue and not the incident, but please. This man’s behavior is totally unacceptable and an embarrassment. Enjoy the private sector, Art.

To see our previous post on the topic, go here.

Article via InsideBayArea.com

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Sheriff Threatens To Submit Photographer to FBI's Hit List

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